Imagine that you have before a flagon of wine. You may choose your own favourite vintage for this imaginary demonstration so it be deep shimmering crimson in colour. two goblets you. One is solid gold wrought the most exquisite patterns. The other crystal-clear glass thin as bubble and transparent. Pour drink according to choice goblet I shall know whether or not will want sensation drinking stuff out vessel cost are connoisseur For if no feelings about wine one way other thousands pounds but member vanishing tribe amateurs fine vintages crystal because everything calculated reveal rather than hide beautiful thing which was meant contain. Bear with me long-winded fragrant metaphor find almost all virtues perfect wine-glass parallel typography. There long stem obviates fingerprints on bowl. Why? Because cloud must come between eyes fiery heart liquid. Are margins book pages similarly obviate necessity fingering type-page? Again: glass colourless at only faintly tinged bowl judges partly by its colour impatient anything alters it. thousand mannerisms typography impudent arbitrary putting port tumblers red green glass! When goblet has base looks too small security does matter how cleverly weighted feel nervous lest should tip over. ways setting lines type work well enough yet keep reader subconsciously worried fear 'doubling' lines reading three words one forth. Now man who first chose instead clay metal hold his 'modernist' sense am going use term. That is he asked particular object 'How look?' 'What do?' extent good modernist. Wine strange potent been used central ritual religion place time attacked virago hatchet another. world capable stirring altering men's minds same extent coherent expression thought. man's chief miracle unique man. 'explanation' whatever fact can make sounds lead total stranger think my